Clips

On August 29th, 2026, Olivia Rodrigo hosted Daisy Chain Fields, an all-women-led music festival in Irvine, California. Largely inspired by Sarah McLachlan’s Lilith Fair, the festival championed women’s voices and experiences, posing the question: What happens when a music festival centers women instead of men?

On August 14th, five of the six members of KATSEYE––a global girl group formed in Dream Academy, a two-year training and development program turned Netflix docuseries––released their highly anticipated second EP, WILD.

Behind the desk of the biggest game in the world sits FIFA president, Gianni Infantino. Read more about the insidious nature of his leadership.

A month-long cross-country road trip changed how I think about being American. From Kentucky to Utah, discover the people, places, and cultures that make the U.S. feel both divided and deeply connected.

From translated texts to horror memoirs, discover your next ten reads for Pride Month.

Discover how some common self-medicative techniques might be signs to try therapy and some resources to help.

In the third stop on the “Famesick Tour: An Evening of Stories and Togetherness,” multihyphenate star Lena Dunham graced The Wilbur Theatre April 16 with writer and friend Emily Sundberg.

Adéla Jergová was unknown to the world for most of her life. Now, at just 22, she has released a seven track EP with a breakout single “Superscar” and amassed over 100 million listens all in her first year of putting out music.

Photo by Curtis DeSmith. April 11 at 8 p.m. marked Alice Phoebe Lou’s third show of her 2026 tour with opening act John Andrews & The Yawns. Inside the Berklee Performance Center, fans and music supporters alike spent the evening swaying in sequence to Lou’s melancholy sounds and silky voice. Seated on a wooden stool in a beanie and black Converse, Andrews strummed his guitar and bounced his leg to the beat of his acoustic set. Setting the stage for the main act to come, And

Photo courtesy Alana Udell and Carolina Derosa. On March 21, after announcing almost six trigger warnings, the lights in Blackman Auditorium faded as apprehensive laughter rose throughout the crowd in anticipation of NU Stage’s spring revue, “Misfits & Mayhem.” Unlike traditional modes of musical theater, the biannual revue is a no-cut collection of numbers linked in theme rather than by plot. This semester’s was split into two parts: mischief followed by mayhem. “The way tha

Photo courtesy of Jarvis Subia. Just a foot from the audience stands a mic and Myles Taylor, the host and president of the Boston Poetry Slam, welcoming new and old artists to the dimly lit Cantab Lounge basement. Wasting not a second more, Taylor booms, “Welcome to the Boston Poetry Slam! We are here every Wednesday.” Like clockwork, the audience of eager regulars and supportive friends shout back, “Every Wednesday!” and a community of spoken word lovers is reunited once mo

Live music will always feel different from the radio or headphones. Every pore in your body fills with the movement of the bass, the beat of the drums, and the passion of the singer. Regardless of what is playing, you feel it. At a bar, these sensations are deepened by the enhancement of alcohol and the feeling of strangers united through friendship.

Lennox’s third studio album, Vacancy is perfect for your late night hang out with your not-so-sneaky link. About temporary lovers, all Lennox wants is someone “to fill this Vacancy,” as she sings in the title track.

The things we read have a way of creeping into our subconscious and blooming into our realities without us even knowing. For artists, books and stories can bleed into their music in more ways than not.

After a seven year hiatus from making music, Lily Allen recorded what can only be regarded as a musical Burn Book. Its cover, a painted portrait of herself gazing resolutely at the viewer, frames the juicy tracklist about her husband’s not-so-secret sexual escapades.

In mid November, Erykah Badu made her much awaited return to Boston’s stage for the 25th Anniversary Tour for Mama’s Gun, an album that has only grown in popularity since its release during Thanksgiving week back in the year 2000.

2017, hair tutorials, and butter yellow have one thing in common – dodie.

To be born into this world is to become a citizen of it. In this day and age where transnationalism is as common as a viral cat video, we, as worldly citizens, are responsible for the safe development of our multiculturalism.